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In the Land of Saints and Sinners, Liam Neeson plays weary hitman Finbar Murphy, who lives in a small town on the Irish coast. We are in the 1970s, when the IRA is fully active and divisions among the population are strongly felt. There has been a lot of bad blood and there are many loose ends.
Finbar thinks he's had enough of making victims and wants to hang his gun on the wall. His godfather wants nothing more than to retire. At the supermarket, the hitman murmurs that he has come to look for seeds because he wants to learn how to grow a garden. Everything works a little differently.
The ruggedness of the landscape is reflected in the wrinkles on the faces of a handful of residents of the coastal town of Glencolmcille. The images of Ireland are beautiful and the landscape appears in all its splendor. There are beautiful views of the green hills and crashing waves of the pristine coastline. The narrow streets with their crumbling walls and medieval cobblestones are authentically depicted. The background decoration consists of details such as a dusty bookcase with blue shutters. As a Northern Irishman, Liam Neeson clearly feels at home there.
The film takes place with the tranquility of a detective; the tone is mainly reflective. Liam Neeson plays his character so sympathetically that you immediately forgive him for becoming a hitman. There is a rustic ambivalence in the sixties.
On the one hand, he can shoot people in cold blood and, on the other, he knows exactly what is appropriate and what is not when he has dinner with his neighbor and her terminally ill husband. It's clear that he's looking at her enthusiastically and that he's actually in love with her, but he's also aware that it's not nice to flirt with her in this situation.
He patiently teaches central police officer Vincent O'Shea how to hit the target. He chats paternally with his neighbor Moya and takes great care of her cat. He is a rock to those around him and is ultimately a nice, friendly guy.
However, Finbar is the ultimate incarnation of Dr. Jekyll and also has a dark side of Mr. Hyde. He hides his own graveyard of victims from him. He built the cemetery in a remote area and planted a bush near each victim that grew into a tree. It is this display of "joy" and "cleanliness" (his victims are allowed to say something for two minutes, he has a stopwatch as a stopwatch) that makes him tragic: a hitman who wants to offer his victims a nice funeral and With a worried face, he pulls the trigger. One of his last victims advises him to do something good with his life for the love of God.
His only colleague in Glencolmcille, the young and mischievous Kevin Lynch (excellently played by Jack Gleeson, who also understood the concern of bullies as well as Joffrey in Game of Thrones) is more than you would expect from a murderer. At first, Kevin seems like an injected, unpredictable, bloodthirsty little man. He is not bothered by humanity or empathy. Finbar's boss protests that Finbar can't retreat because he would be left alone with that unguided missile.
In the Land of Saints and Sinners, Liam Neeson plays weary hitman Finbar Murphy, who lives in a small town on the Irish coast. We are in the 1970s, when the IRA is fully active and divisions among the population are strongly felt. There has been a lot of bad blood and there are many loose ends. Finbar thinks he's had enough of making victims and wants to hang his gun on the wall. His godfather wants nothing more than to retire. At the supermarket, the hitman murmurs that he has come to look for seeds because he wants to learn how to grow a garden. Everything works a little differently.
The ruggedness of the landscape is reflected in the wrinkles on the faces of a handful of residents of the coastal town of Glencolmcille. The images of Ireland are beautiful and the landscape appears in all its splendor. There are beautiful views of the green hills and crashing waves of the pristine coastline.
The narrow streets with their crumbling walls and medieval cobblestones are authentically depicted. The background decoration consists of details such as a dusty bookcase with blue shutters. As a Northern Irishman, Liam Neeson clearly feels at home there.
The film takes place with the tranquility of a detective; the tone is mainly reflective. Liam Neeson plays his character so sympathetically that you immediately forgive him for becoming a hitman. There is a rustic ambivalence in the sixties. On the one hand, he can shoot people in cold blood and, on the other, he knows exactly what is appropriate and what is not when he has dinner with his neighbor and her terminally ill husband.
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