Digger 2026 Movie Review Trailer

 Alejandro González Iñárritu desperately needs to abandon postmodernism, but his latest comedy, at least, rings truer—and more tragic—than *Birdman* or *Bardo*.

Alejandro González Iñárritu and Tom Cruise are a match made in heaven—even if they aren't a match for anyone else. One is a cinematic daredevil whose films feed on the tension between ego and mortality: a mad virtuoso obsessed with staging spectacular, complex sequences that project his inner world onto a grand scale. He does so with such extreme, kamikaze-like effort that even—or especially—his most monumental works can give the impression that the person behind them is hiding from reality rather than elevating it to an epic dimension. The other is Tom Cruise.

Director: Alejandro G. Iñárritu
Writers: Sabina Berman, Jez Butterworth, Alexander Dinelaris
Stars: Tom Cruise, Riz Ahmed, John Goodman

By different paths and for different ends, both have constantly risked their creative lives—and sometimes their actual ones—by pushing the boundaries of what can be achieved with a movie camera. Through projects like *Birdman*, *Bardo*, and the *Mission: Impossible* sequels, both have dedicated the most recent phase of their careers to blurring the line between art and artist. This isn't an attempt to dodge a moral reckoning (however easy it might be to view Cruise’s rise to the status of "Savior of Cinema" as a calculated image-rehab maneuver), but rather an effort to explore—or transcend—the relationship between reality and the stories people choose to tell about themselves.

Viewed in this light, I suppose it was only a matter of time before Iñárritu and Cruise finally joined forces and personalities to create the definitive film about self-delusion. And so we arrive at *Digger*—a small, raw, modest film with no ambition other than to poke a little fun at the absurdity of its own existence.

Just kidding. Hahaha. Or even: it cracks me up. "Digger"—the third installment in a loose trilogy of postmodern films examining the value of creativity in an era where reality has outpaced fiction—is a big-budget take inspired by *Dr. Strangelove*; a work so detached from human truth that its most believable character is a one-eyed animatronic cat named Maggie, and a VistaVision satire with a concept so high-flown that it would be more accurate to measure its runtime in altitude than in minutes.

Watch Digger 2026 Movie Trailer