Tazza: The Song of Beelzebub 2026 Movie Review Trailer
Amanda (Juliette Binoche) is an academic who returns to London to care for her mother, Leslie (Anna Calder-Marshall), whose severe dementia is eroding both her memory and her autonomy. When Amanda discovers Leslie engaging in sexual activity with her stepfather, Martin (Tom Courtenay), she impulsively calls the police. This event confronts her with complex moral dilemmas regarding sexual consent and the limited care options available to those with advanced dementia.
The story is compelling because each character acts out of a mixture of love, denial, and frustration while grappling with the cruel reality of the illness. Although the stakes might appear minor on the surface, the dramatic intensity is immense.
All the adult leads deliver convincing performances; meanwhile, Florence Hunt—who plays Sara, Amanda’s daughter—demonstrates great versatility as she navigates the challenges faced by her parents and grandparents, all while pursuing her own desire for new experiences and dealing with the consequences of her choices. A strong supporting cast—including police officers, doctors, care home staff, and teenagers—embodies the various obstacles each character must overcome.
The cast, as a whole, is exceptional. The performances are so naturalistic that, at times, the film feels more like a documentary than a work of fiction. The two police officers, Michelle Jeram—who also served as a technical consultant for the film—and Elizabeth Rushbrook, bring an authenticity rooted in their real-life experience as police officers.
The cinematography avoids overemphasizing the harshness of the subject matter. Instead, it employs space, lighting, and framing with precision and restraint to reflect the characters' shifting emotional states. The couple’s apartment almost becomes a character in its own right: its steep stairs and uneven surfaces pose a constant threat to Leslie’s safety. Director Lance Hammer’s background in architecture is evident, and three of the locations make use of iconic examples of London’s Brutalist architecture.
The film’s greatest achievement lies in its refusal to offer easy answers. Its striking conclusion does not provide a resolution; instead, it opens a new chapter, leaving the characters—and the viewer—facing the uncertainty of what comes next.
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