Cangaço Novo 2023 Tv Series Review Trailer
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Director Aly Muritiba offers a glimpse into the contemporary landscape of "Cangaço Novo," a groundbreaking Amazon Prime Video production that etched its name in history at the 2023 Gramado Festival by becoming the inaugural television series to honor the esteemed calendar of the festival. Set within a modern incarnation of the Brazilian sertão, the inaugural episode combines elements reminiscent of "Mad Max" with a uniquely Brazilian narrative.
The first installment of “Cangaço Novo” begins with Ubaldo (Allan de Souza Lima) returning to his birthplace in Ceará, in search of the inheritance bequeathed by his influential father. His arrival precipitates a radical transformation of his existence: his estranged sister, Dinorah (Alice Carvalho), has risen as the leader of a criminal gang, and his reunion is far from harmonious.
Creators: Mariana Bardan, Eduardo Melo
Stars: Adélio Lima, Arthur Canavarro, Pedro Wagner
As the story unfolds, the brothers' paths intertwine once more, amidst bloodshed, and other members of Ubaldo's family and his father's admirers come to light. While the opening plot features gripping action sequences, directors Aly Muritiba and Fábio Mendonça assure audiences that the narrative goes even deeper.
“This is a family story, a narrative enriched with action, gunfire and explosive events, but it transcends these facets. It serves as a platform for family drama,” Muritiba clarified during a press conference held at the 51st Gramado Festival. The series takes its nickname from a genuine phenomenon: the rise of the “new cangaço,” a term denoting criminal syndicates that operate in small towns in the interior of the nation.
The “new cangaço” means a criminal tendency, a method used to subjugate towns in which the perpetrators close the access routes. At present, this phenomenon has extended its reach to the south and southeast, coining its nomenclature from the traditional cangaceiros, as Aly Muritiba clarifies. However, the goal of the series is not to romanticize violence, but to immerse the audience within this contemporary realm.
“The series is minimally related to conventional cangaço. Our aim is to explore the contemporary, modern and cosmopolitan sertão, encapsulating its inherent contradictions. We strive to position the viewer within the collective, sometimes as a perpetrator and other times as a victim”, Muritiba rightly articulates.
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